2012 | Color | 101 min A personal essay that explores what cinema tells us about childhood and what childhood tells us about cinema. It is a passionate and poetic portrait of childhood adventures, with reference to 53 films from 25 countries, including films like E.T. as well as classical works that are practically unknown. Country: Reino Unido Direction: Cousins; Mark Script: Cousins; Mark Production: Dawtrey; Adam Photography: Benoliel; Marc, Cousins; Mark Sound: Murray; Ali Music: Cast: Art direction: Participation year at FICM: 2013
2012 | Color | 101 min A personal essay that explores what cinema tells us about childhood and what childhood tells us about cinema. It is a passionate and poetic portrait of childhood adventures, with reference to 53 films from 25 countries, including films like E.T. as well as classical works that are practically unknown. Country: Reino Unido Direction: Cousins; Mark Script: Cousins; Mark Production: Dawtrey; Adam Photography: Benoliel; Marc, Cousins; Mark Sound: Murray; Ali Music: Cast: Art direction: Participation year at FICM: 2013
The Storms of Jeremy Thomas Mark Cousins embarks on a 1000-km road trip from London to Cannes to film and interview the Oscar®-winning British producer and filmmaker Jeremy Thomas, who has made an annual pilgrimage to the Cannes Film Festival for the past 45 years. This offbeat grand tour includes landmarks and people connected to the producer’s films and life. See More
The Story of Film: A New Generation Examining the most powerful movie images of the last decade, filmmaker Mark Cousins updates his classic The Story of Film with A New Generation. Spanning from 2010 to 2021, Cousins spins an epic and hopeful tale of cinematic innovation around the globe as he helps uncover new ways of seeing and being in our eclectic, voluminous digital age. See More
The Eyes of Orson Welles Granted exclusive access to hundreds of private drawings and paintings by Orson Welles, filmmaker Mark Cousins delves into his visual world, revealing an unprecedented portrait of the artist—seen through his own eyes, sketched with his own hand, painted with his own brush. The documentary brings the passions of this twentieth-century showman to life and explores how Welles’s genius still resonates today, over 30 years after his death. See More
Daniela Michel received the National Order of Merit of the French Republic 06 · 03 · 22 Muchachas de uniforme: la primera gran cinta de diversidad sexual 02 · 14 · 22 El FICM lamenta el fallecimiento de Ivan Reitman 02 · 14 · 22 Niña sola: la raíz invisible de las violencias machistas 02 · 11 · 22
