A journalist and film critic, Marcelo Panozzo began working at 21 for the Buenos Aires newspapers Sur and Página/12 and the magazines Caín and Fierro. In 1992 he joined the staff of Clarín, the most widely read daily in Argentina, where he would remain for nine years, first as director of the youth culture supplement, then as director of the film section. At the same time he wrote film critiques for the magazine El Amante and, towards the end of 2000, was invited to become a programmer for the Buenos Aires International Independent Film Festival. He has participated actively in the last four editions of this festival (2001-2004) and is currently working on the next one. He still writes for El Amante and is associate editor for TXT, a Buenos Aires news weekly. He is also editing a book on the films of director Tsai Ming-liang for the Gijón International Film Festival and working on a compilation dedicated to the New Argentinian Cinema to be edited by the Argentine branch of the FIPRESCI (International Federation of Film Critics).
A journalist and film critic, Marcelo Panozzo began working at 21 for the Buenos Aires newspapers Sur and Página/12 and the magazines Caín and Fierro. In 1992 he joined the staff of Clarín, the most widely read daily in Argentina, where he would remain for nine years, first as director of the youth culture supplement, then as director of the film section. At the same time he wrote film critiques for the magazine El Amante and, towards the end of 2000, was invited to become a programmer for the Buenos Aires International Independent Film Festival. He has participated actively in the last four editions of this festival (2001-2004) and is currently working on the next one. He still writes for El Amante and is associate editor for TXT, a Buenos Aires news weekly. He is also editing a book on the films of director Tsai Ming-liang for the Gijón International Film Festival and working on a compilation dedicated to the New Argentinian Cinema to be edited by the Argentine branch of the FIPRESCI (International Federation of Film Critics).
