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Sánchez; Joss

He studied communication at the UNID Interamerican University for Development, Guadalajara; took a screenwriting and film directing workshop given by filmmaker Leopoldo Aguilar Guerrero in 2013, and a screenwriting workshop with novelist and screenwriter Guillermo Arriaga, in 2014. He is currently working on his short film Brillos de silencio as a screenwriter and director, about Mexican jewelry designer Ricardo Patraca and his new collection based on the earth and silence of nature. This work is produced by the production house of audiovisual content and concepts, Fractal Films, México, of which he is the founding partner. He is also working in preproduction on his short film Pasajero and on his first feature film project. His collaborations include his work as art director in the short fiction film by director Jorge Sistos Secreto (2013), which was part of the Official Selection of the 11th Morelia International Film Festival (FICM). He participated with his short fiction film A un click (2014) in the 1st Metepec Mágico Latin American Short Film Festival, State of Mexico, and the 3rd Mexican Independent Film Festival, Guadalajara, Mexico. His screenplay for the short film Mintsikakua (2014) won the 1st Michoacano Mágico Short Film Screenplay Competition, Mexico. He worked as the second director’s assistant in the short fiction film by Leopoldo Aguilar The weeping currently in the process of postproduction and starring Laia Marull, the Spanish actress who has won the Goya three times. His short fiction film Una gota (2014) is part of the Official Selection of the 12th FICM.

Otras Películas

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

Una mirada frenética recorre la convulsa Ciudad de México, metrópolis colosal sostenida por el mito del mestizaje y otras violencias coloniales. Pasado y presente tejen una ráfaga de imágenes; memorias fragmentadas de este territorio. Deidades antiguas que se encarnan, sueños que se desdoblan entre la intimidad, la complicidad y el tumulto. Una película errática que nos invita a reimaginar la compleja relación que sostenemos con la “mexicanidad”.

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