Image Almazán, Sabdyel He studied communication at the Autonomous University of San Luis Potosí (UASLP) and took a course in digital film at the Universidad del Centro de México (UCEM), San Luis Potosí. His work has been shown at more than 10 film screenings and festivals around the world. He won the Short Fiction Film Award at the 2nd Rodando Film Festival, San Luis Potosí for El día de las alas (2010). He received a grant from the State Fund for Culture and the Arts of San Luis Potosí to make his documentary short film El diablo, la danza y el tambor (2011), which won Second Place at the 7th Indigenous Film Festival (FECVI), Morelia. He participated with his short fiction film Dos colores (2012) in the 16th MIX Mexico: Festival of Sexual Diversity in Film and Video, and the Diversidad Somos Tod@s Festival, Cuernavaca, en 2013. His documentary short film Lalaxtsopelik, naranja dulce (2012) participated, among other festivals, in the 8th International Documentary Film Festival of Mexico City (DocsDF, in Spanish) within the section “Un, docs, tres por mí”, and in the 3rd International Film Festival of Puebla (FIC Puebla). He received for this work the Best Short Film Award and the University Prize at the 8th FECVI, Morelia. He participated in the 17th Festival Mix México with his short fiction film Puto putote (2013). His documentary short film Nenek (2014) was part of the Official Selection of the 12th Morelia International Film Festival (FICM). Otras Películas Sujo Ver Más Sujo Ver Más ¡Aoquic iez in Mexico! ¡Ya México no existirá más! Una mirada frenética recorre la convulsa Ciudad de México, metrópolis colosal sostenida por el mito del mestizaje y otras violencias coloniales. Pasado y presente tejen una ráfaga de imágenes; memorias fragmentadas de este territorio. Deidades antiguas que se encarnan, sueños que se desdoblan entre la intimidad, la complicidad y el tumulto. Una película errática que nos invita a reimaginar la compleja relación que sostenemos con la “mexicanidad”. Ver Más Noticias Relacionadas La AMACC abre su convocatoria para los Premio Ariel 2025 25 · 11 · 24 Robert Redford: Morelia 2019 21 · 11 · 24 LAS PUERTAS DEL PRESIDIO, a 75 años 14 · 11 · 24 Proyectos mexicanos fueron seleccionados en Ventana Sur 14 · 11 · 24 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Almazán, Sabdyel He studied communication at the Autonomous University of San Luis Potosí (UASLP) and took a course in digital film at the Universidad del Centro de México (UCEM), San Luis Potosí. His work has been shown at more than 10 film screenings and festivals around the world. He won the Short Fiction Film Award at the 2nd Rodando Film Festival, San Luis Potosí for El día de las alas (2010). He received a grant from the State Fund for Culture and the Arts of San Luis Potosí to make his documentary short film El diablo, la danza y el tambor (2011), which won Second Place at the 7th Indigenous Film Festival (FECVI), Morelia. He participated with his short fiction film Dos colores (2012) in the 16th MIX Mexico: Festival of Sexual Diversity in Film and Video, and the Diversidad Somos Tod@s Festival, Cuernavaca, en 2013. His documentary short film Lalaxtsopelik, naranja dulce (2012) participated, among other festivals, in the 8th International Documentary Film Festival of Mexico City (DocsDF, in Spanish) within the section “Un, docs, tres por mí”, and in the 3rd International Film Festival of Puebla (FIC Puebla). He received for this work the Best Short Film Award and the University Prize at the 8th FECVI, Morelia. He participated in the 17th Festival Mix México with his short fiction film Puto putote (2013). His documentary short film Nenek (2014) was part of the Official Selection of the 12th Morelia International Film Festival (FICM).
¡Aoquic iez in Mexico! ¡Ya México no existirá más! Una mirada frenética recorre la convulsa Ciudad de México, metrópolis colosal sostenida por el mito del mestizaje y otras violencias coloniales. Pasado y presente tejen una ráfaga de imágenes; memorias fragmentadas de este territorio. Deidades antiguas que se encarnan, sueños que se desdoblan entre la intimidad, la complicidad y el tumulto. Una película errática que nos invita a reimaginar la compleja relación que sostenemos con la “mexicanidad”. Ver Más
La AMACC abre su convocatoria para los Premio Ariel 2025 25 · 11 · 24 Robert Redford: Morelia 2019 21 · 11 · 24 LAS PUERTAS DEL PRESIDIO, a 75 años 14 · 11 · 24 Proyectos mexicanos fueron seleccionados en Ventana Sur 14 · 11 · 24