Image Rocha Valverde, Gregorio Carlos He studied cinematography at the CUEC-UNAM film school in Mexico City. He received, among other scholarships and grants, the Fulbright/COMEXUS grant in 2001, and a grant from the Fund for Quality Film Production (FOPROCINE, in Spanish) of the Mexican Film Institute (IMCINE) in 2012 for the co-production of his feature length documentary Muros (2014). He also was part of the National System of Art Creators (SNCA) of the National Fund for Culture and the Arts (FONCA) from 2011 to 2014. For more than 10 years, he has collected camera equipment and films from various periods and in different formats, from an 1872 Magic Lantern projector to a 1989 Bell and Howell 16mm projector. He is trying to put together a museum specializing in small formats of film and a space for experimentation with the projected image to establish connections between the analog and the digital. His work has been presented in numerous festivals around the world, including three editions of the Morelia International Film Festival (FICM). His medium length documentary Los rollos de Pancho Villa (2003) won the Audience Award at the 1st FICM; two awards for Best Documentary: at the 1st International Festival of Fiction and Documentary Short Films about Archeology and Heritage, Carmona Film Fest, and the 10th Lleida Latin American Film Festival, Catalonia, in Spain; and the Jury Award at the 23rd Black Maria Film and Video Festival, New Jersey, United States, among others. He participated in the 4th FICM with his feature length documentary Acme & Company (2006), which won the award for Best Screenplay and Investigation at the 1st Iberoamerican Documentary Film Festival of Memory (FMDI), Tepoztlán, Mexico. He presented his medium length documentary Toscanito, coleccionista de historias (Primer episodio de Luces, cámara… revolución) (2010) at the 8th FICM, as part of the Canal 22 Presenta section. Otras Películas Si yo fuese fuego Dos jóvenes amantes deambulan por un campo en abandono, donde la realidad se altera y se entreven las ruinas de un pueblo que ya no existe. La presencia de un jinete misterioso convierte el paisaje bucólico en el de una pesadilla. Ver Más Vidas en la orilla Vidas en la Orilla retrata las trágicas consecuencias de una condena injusta impuesta por el sistema de justicia penal de Estados Unidos. A través de varias historias de vida interconectadas, se descubre lo que Rosa Estela Olvera, mexicana encarcelada en E.U (Mi vida dentro 2007), soporta en prisión: una exploración psicoemocional de la soledad del encierro; y la larga y ardua batalla para recuperar a su familia y obtener justicia. Ver Más 40 + Divorciada, sin hijos y soltera, Luz visita a una curandera que le receta un remedio escandaloso para liberar su alma. Mientras Luz se embarca en un viaje sensual de autodescubrimiento, abraza su poder al darse cuenta de que la plenitud no requiere un camino tradicional. Ver Más Noticias Relacionadas Se presentó HIEDRA, de Ana Cristina Barragán, en el 23er FICM 14 · 10 · 25 Olivia Harrison presentó el documental BEATLES ’64 14 · 10 · 25 LA NOCHE ETERNA DEL BABY’O fue "entrar a un mundo que no es mi mundo": Emilio Maillé 14 · 10 · 25 NO ME SIGAS tiene su estreno mundial en el 23er FICM 14 · 10 · 25 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Rocha Valverde, Gregorio Carlos He studied cinematography at the CUEC-UNAM film school in Mexico City. He received, among other scholarships and grants, the Fulbright/COMEXUS grant in 2001, and a grant from the Fund for Quality Film Production (FOPROCINE, in Spanish) of the Mexican Film Institute (IMCINE) in 2012 for the co-production of his feature length documentary Muros (2014). He also was part of the National System of Art Creators (SNCA) of the National Fund for Culture and the Arts (FONCA) from 2011 to 2014. For more than 10 years, he has collected camera equipment and films from various periods and in different formats, from an 1872 Magic Lantern projector to a 1989 Bell and Howell 16mm projector. He is trying to put together a museum specializing in small formats of film and a space for experimentation with the projected image to establish connections between the analog and the digital. His work has been presented in numerous festivals around the world, including three editions of the Morelia International Film Festival (FICM). His medium length documentary Los rollos de Pancho Villa (2003) won the Audience Award at the 1st FICM; two awards for Best Documentary: at the 1st International Festival of Fiction and Documentary Short Films about Archeology and Heritage, Carmona Film Fest, and the 10th Lleida Latin American Film Festival, Catalonia, in Spain; and the Jury Award at the 23rd Black Maria Film and Video Festival, New Jersey, United States, among others. He participated in the 4th FICM with his feature length documentary Acme & Company (2006), which won the award for Best Screenplay and Investigation at the 1st Iberoamerican Documentary Film Festival of Memory (FMDI), Tepoztlán, Mexico. He presented his medium length documentary Toscanito, coleccionista de historias (Primer episodio de Luces, cámara… revolución) (2010) at the 8th FICM, as part of the Canal 22 Presenta section.
Si yo fuese fuego Dos jóvenes amantes deambulan por un campo en abandono, donde la realidad se altera y se entreven las ruinas de un pueblo que ya no existe. La presencia de un jinete misterioso convierte el paisaje bucólico en el de una pesadilla. Ver Más
Vidas en la orilla Vidas en la Orilla retrata las trágicas consecuencias de una condena injusta impuesta por el sistema de justicia penal de Estados Unidos. A través de varias historias de vida interconectadas, se descubre lo que Rosa Estela Olvera, mexicana encarcelada en E.U (Mi vida dentro 2007), soporta en prisión: una exploración psicoemocional de la soledad del encierro; y la larga y ardua batalla para recuperar a su familia y obtener justicia. Ver Más
40 + Divorciada, sin hijos y soltera, Luz visita a una curandera que le receta un remedio escandaloso para liberar su alma. Mientras Luz se embarca en un viaje sensual de autodescubrimiento, abraza su poder al darse cuenta de que la plenitud no requiere un camino tradicional. Ver Más
Se presentó HIEDRA, de Ana Cristina Barragán, en el 23er FICM 14 · 10 · 25 Olivia Harrison presentó el documental BEATLES ’64 14 · 10 · 25 LA NOCHE ETERNA DEL BABY’O fue "entrar a un mundo que no es mi mundo": Emilio Maillé 14 · 10 · 25 NO ME SIGAS tiene su estreno mundial en el 23er FICM 14 · 10 · 25
