Image Cuesta; Raúl He studied international business at the Instituto Tecnológico y de Estudios Superiores (ITESM), received a master’s degree in computer systems from the Autonomous Technological Institute of Mexico (ITAM) and took a course in narrative photography by the Pedro Meyer Foundation and the World Press Photo organization. He has worked in several television shows, music videos and documentaries. He produced and photographed David ou le retour à la terre (2013) by Anaïs Huerta, and he has participated in the making of several Mexican feature films. He competed in the 4th Morelia International Film Festival (FICM) with his short fiction film Máximo (2006). His first feature Rehje (2009), co-directed with Anaïs Huerta, won a Special Mention for a Documentary Made by a Woman at the 6th FICM; as well as the award for Best Documentary at the 2nd International Film Festival on Human Rights in Mexico (DHFEST); the award for Best Documentary at the 6th Independent Documentary Film and Video Latin American Meeting: All Voices Against Silence, Mexico; the Young Hope Award at the 20th Présensce Autochtone Festival in Montreal, Canada; the Jury Prize at the 5th Indigene International Film Festival in Katmandú, Nepal; the Grand Prix at the 5th Documentary Festival, L’Amérique Latine en Documentaries in Lyon, France; and a nomination for an Ariel for Best Documentary at the 52nd Ariel Awards, Mexico. He received various grants for the creation of his second feature length documentary, Los días no vuelven (2015): from the Fund for Quality Film Production (FOPROCINE, in Spanish) and the Promotion Program and Cultural Co-Investments of the National Fund for Culture and the Arts (FONCA), in 2011, as well as the Media Arts Fund Grant, in 2013, from the Tribeca Film Institute, United States, among others. He was selected to participate with this feature project in the Coproduction Forum at the 1st Riviera Maya Film Festival (RMFF), Mexico. Los días no vuelven participated in the 4th RMFF; the 11th Monterrey International Film Festival, México; and was part of the Official Selection of the 13th FICM. He is in the process of making his third feature film Los días por venir, selected for the Documentary Pitching of the 7th DocMontevideo, Uruguay. Otras Películas Si yo fuese fuego Dos jóvenes amantes deambulan por un campo en abandono, donde la realidad se altera y se entreven las ruinas de un pueblo que ya no existe. La presencia de un jinete misterioso convierte el paisaje bucólico en el de una pesadilla. Ver Más Vidas en la orilla Vidas en la Orilla retrata las trágicas consecuencias de una condena injusta impuesta por el sistema de justicia penal de Estados Unidos. A través de varias historias de vida interconectadas, se descubre lo que Rosa Estela Olvera, mexicana encarcelada en E.U (Mi vida dentro 2007), soporta en prisión: una exploración psicoemocional de la soledad del encierro; y la larga y ardua batalla para recuperar a su familia y obtener justicia. Ver Más 40 + Divorciada, sin hijos y soltera, Luz visita a una curandera que le receta un remedio escandaloso para liberar su alma. Mientras Luz se embarca en un viaje sensual de autodescubrimiento, abraza su poder al darse cuenta de que la plenitud no requiere un camino tradicional. Ver Más Noticias Relacionadas LA PUERTA y LA MUJER DEL CARNICERO (y LOS CHICLES) 30 · 10 · 25 MEMORIA DE LOS OLVIDADOS, un documental 23 · 10 · 25 El 23er FICM premió a lo mejor de su Selección Oficial e Impulso Morelia 11 17 · 10 · 25 Eddie Muller presenta 99 RIVER STREET, una cinta noir para la última noche del 23er FICM 17 · 10 · 25 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Cuesta; Raúl He studied international business at the Instituto Tecnológico y de Estudios Superiores (ITESM), received a master’s degree in computer systems from the Autonomous Technological Institute of Mexico (ITAM) and took a course in narrative photography by the Pedro Meyer Foundation and the World Press Photo organization. He has worked in several television shows, music videos and documentaries. He produced and photographed David ou le retour à la terre (2013) by Anaïs Huerta, and he has participated in the making of several Mexican feature films. He competed in the 4th Morelia International Film Festival (FICM) with his short fiction film Máximo (2006). His first feature Rehje (2009), co-directed with Anaïs Huerta, won a Special Mention for a Documentary Made by a Woman at the 6th FICM; as well as the award for Best Documentary at the 2nd International Film Festival on Human Rights in Mexico (DHFEST); the award for Best Documentary at the 6th Independent Documentary Film and Video Latin American Meeting: All Voices Against Silence, Mexico; the Young Hope Award at the 20th Présensce Autochtone Festival in Montreal, Canada; the Jury Prize at the 5th Indigene International Film Festival in Katmandú, Nepal; the Grand Prix at the 5th Documentary Festival, L’Amérique Latine en Documentaries in Lyon, France; and a nomination for an Ariel for Best Documentary at the 52nd Ariel Awards, Mexico. He received various grants for the creation of his second feature length documentary, Los días no vuelven (2015): from the Fund for Quality Film Production (FOPROCINE, in Spanish) and the Promotion Program and Cultural Co-Investments of the National Fund for Culture and the Arts (FONCA), in 2011, as well as the Media Arts Fund Grant, in 2013, from the Tribeca Film Institute, United States, among others. He was selected to participate with this feature project in the Coproduction Forum at the 1st Riviera Maya Film Festival (RMFF), Mexico. Los días no vuelven participated in the 4th RMFF; the 11th Monterrey International Film Festival, México; and was part of the Official Selection of the 13th FICM. He is in the process of making his third feature film Los días por venir, selected for the Documentary Pitching of the 7th DocMontevideo, Uruguay.
Si yo fuese fuego Dos jóvenes amantes deambulan por un campo en abandono, donde la realidad se altera y se entreven las ruinas de un pueblo que ya no existe. La presencia de un jinete misterioso convierte el paisaje bucólico en el de una pesadilla. Ver Más
Vidas en la orilla Vidas en la Orilla retrata las trágicas consecuencias de una condena injusta impuesta por el sistema de justicia penal de Estados Unidos. A través de varias historias de vida interconectadas, se descubre lo que Rosa Estela Olvera, mexicana encarcelada en E.U (Mi vida dentro 2007), soporta en prisión: una exploración psicoemocional de la soledad del encierro; y la larga y ardua batalla para recuperar a su familia y obtener justicia. Ver Más
40 + Divorciada, sin hijos y soltera, Luz visita a una curandera que le receta un remedio escandaloso para liberar su alma. Mientras Luz se embarca en un viaje sensual de autodescubrimiento, abraza su poder al darse cuenta de que la plenitud no requiere un camino tradicional. Ver Más
LA PUERTA y LA MUJER DEL CARNICERO (y LOS CHICLES) 30 · 10 · 25 MEMORIA DE LOS OLVIDADOS, un documental 23 · 10 · 25 El 23er FICM premió a lo mejor de su Selección Oficial e Impulso Morelia 11 17 · 10 · 25 Eddie Muller presenta 99 RIVER STREET, una cinta noir para la última noche del 23er FICM 17 · 10 · 25
Eddie Muller presenta 99 RIVER STREET, una cinta noir para la última noche del 23er FICM 17 · 10 · 25
