2012 | Color | 77 min 0 seg Together with Sergei Eisenstein, his imaginary companion on a walking tour of Mexico City, Mark Cousins contemplates historical change, shot composition and his own identity. After the mammoth effort of The Story of Film: An Odyssey, Cousins felt the need to make a very different kind of film. ?It?s an ad lib. It was made on three days off, as a response to the six years of making The Story of Film, for fun, to do something emotional and a bit sad. Its main subject is walking and being alone! (Mark Cousins) Country: Reino Unido, Estados Unidos, Alemania, Canadá, México Direction: Cousins; Mark Script: Cousins; Mark Production: Aitken; Catherine, Cousins; Mark Photography: Cousins; Mark Sound: Murray; Ali Music: Harvey; Pj, J Jorgensen; Espen, Fisher-turner; Simon Participation year at FICM: 2012
2012 | Color | 77 min 0 seg Together with Sergei Eisenstein, his imaginary companion on a walking tour of Mexico City, Mark Cousins contemplates historical change, shot composition and his own identity. After the mammoth effort of The Story of Film: An Odyssey, Cousins felt the need to make a very different kind of film. ?It?s an ad lib. It was made on three days off, as a response to the six years of making The Story of Film, for fun, to do something emotional and a bit sad. Its main subject is walking and being alone! (Mark Cousins) Country: Reino Unido, Estados Unidos, Alemania, Canadá, México Direction: Cousins; Mark Script: Cousins; Mark Production: Aitken; Catherine, Cousins; Mark Photography: Cousins; Mark Sound: Murray; Ali Music: Harvey; Pj, J Jorgensen; Espen, Fisher-turner; Simon Participation year at FICM: 2012
The Story of Documentary Film This series reviews the history of the documentary from its beginnings to the present day. It also re-examines genre classics alongside striking new discoveries and forgotten works from around the world. Structured chronologically, yet interspersed with standalone thematic sections, the series challenges preconceived notions about what a documentary is. See More
A Sudden Glimpse to Deeper Things Wilhelmina Barns-Graham was a painter, visionary, and singular thinker. In 1949, Barns-Graham, then 36 years old, climbed the Grindelwald Glacier, where she had an aesthetic and spiritual epiphany that rewired her brain and transformed her art. She spent the rest of her life painting it. Diving deep into her art and life, the film explores themes of gender, neurodiversity, climate change, and the nature of creativity from youth to old age. See More
Cinema Has Been My True Love: The Work and Times of Lynda Myles Lynda Myles, an influential connoisseur of cinema, reflects on her adventures in the film culture she helped establish. From 1973 to 1980, as the first female director of any festival, Myles transformed the Edinburgh Film Festival into a vibrant, iconoclastic mecca of discovery, championing the work of overlooked auteurs such as Hitchcock, Sirk, and Sam Fuller. See More
The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26 FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
