2006 | Color | 90 min A bittersweet drama of three stories interlaced in contemporary Acapulco, a once luxurious port, now in decadence, which serves as a backdrop for a suicidal old man, a 15 year old runaway girl, and a young couple involved in a complicated love triangle. Country: México Direction: Naranjo; Gerardo Script: Naranjo; Gerardo Production: García; Gabriel, Moro; Miriana, Paredes; Santiago Photography: Datum; Tobías Sound: Reyna; Gabriel Music: Van Beethoven; Ludwig Cast:García; Diana, Valdéz; Emilio, Becerril; Fernando, Moro; Miriana, Castaneda; Juan Pablo Art direction: Castelli; Claudio Participation year at FICM: 2006
2006 | Color | 90 min A bittersweet drama of three stories interlaced in contemporary Acapulco, a once luxurious port, now in decadence, which serves as a backdrop for a suicidal old man, a 15 year old runaway girl, and a young couple involved in a complicated love triangle. Country: México Direction: Naranjo; Gerardo Script: Naranjo; Gerardo Production: García; Gabriel, Moro; Miriana, Paredes; Santiago Photography: Datum; Tobías Sound: Reyna; Gabriel Music: Van Beethoven; Ludwig Cast:García; Diana, Valdéz; Emilio, Becerril; Fernando, Moro; Miriana, Castaneda; Juan Pablo Art direction: Castelli; Claudio Participation year at FICM: 2006
Revolución Ten different voices join together to create a contemporary vision of the Revolution in Mexico. There is not only one interpretation presented of this historic event, but rather a wide range of views about the concept of revolution — its social significance as well as its more intimate, personal meaning. These stories try to offer a plural perspective through varied aesthetic perceptions that enrich our collective imagination. See More
DEADLINE AT DAWN by Harold Clurman Opened the Film Noir Program at the 23rd FICM 10 · 15 · 25 Ana Cristina Barragán's HIEDRA Presented at the 23rd FICM 10 · 14 · 25 Olivia Harrison Presented the Documentary BEATLES '64 10 · 14 · 25 Emilio Maillé: LA NOCHE ETERNA DEL BABY’O Was Like Entering a World That is Not My World 10 · 14 · 25
Emilio Maillé: LA NOCHE ETERNA DEL BABY’O Was Like Entering a World That is Not My World 10 · 14 · 25
