2014 | Color | 25:00 A 13-year-old, Arturo, sets off on a trip with his friend Roberto to visit family in the south of Mexico. Their relation, normally competitive and violent, takes a turn for the worse when Arturo’s uncle takes them on an adult adventure in the bowels of a border town. Between wine bottles, table football, and brothels, Arturo will have to make a decision to find out if he really is who he thinks he is. Country: México Direction: Pepe Ávila del Pino Script: Ávila del Pino; Pepe Production: Cherem; Ruth Photography: Gallegos; Mario Sound: Vergara; Alex Cast:del Carmen; MónicaX González; MoisesX López; PascasioX Pineda; ClaudiaX Puig; AlexisX Zacarías; Giovanna Art direction: Vujocevich; Jorge Participation year at FICM: 2014
2014 | Color | 25:00 A 13-year-old, Arturo, sets off on a trip with his friend Roberto to visit family in the south of Mexico. Their relation, normally competitive and violent, takes a turn for the worse when Arturo’s uncle takes them on an adult adventure in the bowels of a border town. Between wine bottles, table football, and brothels, Arturo will have to make a decision to find out if he really is who he thinks he is. Country: México Direction: Pepe Ávila del Pino Script: Ávila del Pino; Pepe Production: Cherem; Ruth Photography: Gallegos; Mario Sound: Vergara; Alex Cast:del Carmen; MónicaX González; MoisesX López; PascasioX Pineda; ClaudiaX Puig; AlexisX Zacarías; Giovanna Art direction: Vujocevich; Jorge Participation year at FICM: 2014
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24 Tarantino in Morelia 2009 03 · 27 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24