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Sosa Gil, Luis Armando

He studied Communication with a scholarship for academic excellence at the Iberoamerican University, he did a Diploma in Screenwriting with Patricio Saiz and another in Cinematographic Realization with Luis de Velasco at the University Center for Film Studies (CUEC-UNAM).

In 2012, the documentary Xapontic wins an economic fund in Dell Social Innovation Competition. He was the producer of the documentary Hotel 'La Loma' (2014), Official Selection of DocsDF. This same year he was awarded a scholarship by the Guanajuato International Film Festival (GIFF) to attend the workshops for direction of actors, under the tutelage of Natalia Lazarus, and the screenplay workshop, with the Mexican filmmaker Guillermo Arriaga.

His screenplay, Tú, adentro, was Official Screenplay Selection of the Oaxaca Film Fest 2016 and his short film, El perro amarrado, was part of the Official Selection of the 14th FICM.

In 2017, he made the short film Vapeur d'Orange, which received the Best Short Film award in the 48h Khronos contest of Kinoks Association and First Prize at the Concours du Film Court CROUS in France. This same year, he received the accreditation as a director to attend the Cannes Film Festival, he won the Youth Prize in the artistic and cultural field in Lázaro Cárdenas, Michoacán, and received an economic stimulus from the Secretary of Culture of the State of Michoacán for the postproduction of his short film El Viento y El Papalote, Official Selection of the 15th Morelia International Film Festival (FICM).

He currently works as a manager and artist in the group Foro Piezas, an area of creation and artistic development in the Lázaro Cárdenas region, Michoacán, in association with the ArcelorMittal Cultural Center.

Otras Películas

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

Una mirada frenética recorre la convulsa Ciudad de México, metrópolis colosal sostenida por el mito del mestizaje y otras violencias coloniales. Pasado y presente tejen una ráfaga de imágenes; memorias fragmentadas de este territorio. Deidades antiguas que se encarnan, sueños que se desdoblan entre la intimidad, la complicidad y el tumulto. Una película errática que nos invita a reimaginar la compleja relación que sostenemos con la “mexicanidad”.

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