2010 | Color | 3 min A man makes a journey in search of water, a very precious liquid. Country: México Direction: Antonio Garcés; Jonathan Israel Script: Antonio Garcés; Jonathan Israel Production: Solís; Leonor Photography: Antonio Garcés; Jonathan Israel Sound: Antonio Garcés; Jonathan Israel Music: Pasondo; Héctor Cast:Gallardo; Julio César Participation year at FICM: 2010
2010 | Color | 3 min A man makes a journey in search of water, a very precious liquid. Country: México Direction: Antonio Garcés; Jonathan Israel Script: Antonio Garcés; Jonathan Israel Production: Solís; Leonor Photography: Antonio Garcés; Jonathan Israel Sound: Antonio Garcés; Jonathan Israel Music: Pasondo; Héctor Cast:Gallardo; Julio César Participation year at FICM: 2010
Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More
5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More
The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26