2022 | Color | 52:00 The documentary is based on Armando Casas’ interview with cartoonist Antonio Helguera in 1996. It narrates Helguera’s career from his very beginnings until his last public appearances in 2021. As Helguera tells one story after another, we get a detailed look at his most representative cartoons, affiliated with the surrealist mode. His style managed to convey a message without the need for words Country: México Direction: Casas; Armando Script: Mariña; Víctor Production: Falcón; Alejandro, Saavedra Aello; Juan Carlos Photography: Caballero; Julio Sound: Espinoza; Gabriela Music: Envatoelements Cast:Helguera; Antonio Participation year at FICM: 2022
2022 | Color | 52:00 The documentary is based on Armando Casas’ interview with cartoonist Antonio Helguera in 1996. It narrates Helguera’s career from his very beginnings until his last public appearances in 2021. As Helguera tells one story after another, we get a detailed look at his most representative cartoons, affiliated with the surrealist mode. His style managed to convey a message without the need for words Country: México Direction: Casas; Armando Script: Mariña; Víctor Production: Falcón; Alejandro, Saavedra Aello; Juan Carlos Photography: Caballero; Julio Sound: Espinoza; Gabriela Music: Envatoelements Cast:Helguera; Antonio Participation year at FICM: 2022
Old Maid Doña Consuelo constantly listens to old Don Chemas´ nasty comments about her daughter Cristina´s spinsterhood. But little do they know that Cristina has a pleasant secret. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
