2021 | Color | 95:00 Colombia, 1998. Amparo, a single mother, struggles to free her teenage son after he is drafted by the army and assigned to a war zone. She embarks on a race against time in a society ruled by men, corruption, and violence. Country: Colombia, Alemania, Suecia Direction: Mesa Soto; Simón Script: Mesa Soto; Simón Production: Sarmiento G.; Juan, Mesa Soto; Simón, Heisler; Martin, Herdies; David Photography: Sarmiento G.; Juan Sound: Arcila; Carlos, Krotkiewski; Ted Music: Schiefer; Benedikt Cast:Melissa Torres; Sandra, Tobûn; Diego Alejandro, Gallego; Luciana, Montoya; John Jairo Participation year at FICM: 2021
2021 | Color | 95:00 Colombia, 1998. Amparo, a single mother, struggles to free her teenage son after he is drafted by the army and assigned to a war zone. She embarks on a race against time in a society ruled by men, corruption, and violence. Country: Colombia, Alemania, Suecia Direction: Mesa Soto; Simón Script: Mesa Soto; Simón Production: Sarmiento G.; Juan, Mesa Soto; Simón, Heisler; Martin, Herdies; David Photography: Sarmiento G.; Juan Sound: Arcila; Carlos, Krotkiewski; Ted Music: Schiefer; Benedikt Cast:Melissa Torres; Sandra, Tobûn; Diego Alejandro, Gallego; Luciana, Montoya; John Jairo Participation year at FICM: 2021
A Poet Óscar Restrepo’s obsession with poetry brought him no glory. Now aging and erratic, he has succumbed to the cliché of the poet in the shadows. Meeting Yurlady, a teenage girl from humble roots, and helping her cultivate her talent, brings light to his days—but dragging her into the world of poetry may not be the right path. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
