2022 | Color | 16:51 When Agustina realizes that the trip to the moon her teacher had promised her is just imaginary, she is torn apart. A conflict develops in the country, her father is forced to leave and Agustina must find a way to find a way to cope with reality. Country: México Direction: Herrera Caso; Luciana Script: Herrera Caso; Luciana Production: Herrera Caso; Luciana, Macín; Rodrigo, Arenas; Marcela Photography: Gaeta; Bruno Sound: González Cortés; César Music: Herrera; Diego, Herrera Caso; Mariano Cast:De Tavira Gajá; María, Plascencia; Natalia, Flores; Elena, Nassourou; Mahoalli Art direction: Molina; Alettia Participation year at FICM: 2022
2022 | Color | 16:51 When Agustina realizes that the trip to the moon her teacher had promised her is just imaginary, she is torn apart. A conflict develops in the country, her father is forced to leave and Agustina must find a way to find a way to cope with reality. Country: México Direction: Herrera Caso; Luciana Script: Herrera Caso; Luciana Production: Herrera Caso; Luciana, Macín; Rodrigo, Arenas; Marcela Photography: Gaeta; Bruno Sound: González Cortés; César Music: Herrera; Diego, Herrera Caso; Mariano Cast:De Tavira Gajá; María, Plascencia; Natalia, Flores; Elena, Nassourou; Mahoalli Art direction: Molina; Alettia Participation year at FICM: 2022
Where Water Flows Julia is a single mother who takes care of Camila, her 10 year old daughter who suffers from a borderline disorder. After experiencing a crisis where Camila gets hurt, Julia makes a decision which will change her relationship with her daughter and with herself. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
