Image Mora Catlett; Juan He received a master’s degree in film editing from the Film and TV School of the Academy of Performing Arts in Prague (FAMU), Czech Republic. He was a member of the National System of Creators of the National Council for Culture and the Arts (CONACULTA), Mexico, and won, among other awards, the National University Award (PUN, in Spanish) in the category of Teaching of the Arts in 2009 for his career in training filmmakers at the CUEC-UNAM film school. His work has participated in more than 40 film showings and festivals around the world, including two editions of the Morelia International Film Festival (FICM). His first feature film Retorno a Aztlán (In Necuepaliztli in Aztlan) (1990), the first Mexican film spoken totally in an indigenous language, won the Grand Jury Special Award at the 7th Latin American Film Festival of Trieste, Italy. He participated in the 4th FICM with his feature film Eréndira la indomable (2006), nominated for an Ariel for Best Special Effects at the 49th Ariel Awards Ceremony, Mexico, and won the Best Picture and Best Director awards at the 8th Indio International Hispanic Film Festival (iihfilmfest), California, and a Special Mention at the 10th South American Film Encounters, Marseille. In 2007 he received an award from the Secretary of Public Education (SEP), Mexico, on UNESCO’s International Mother Language Day, for the dissemination of indigenous languages in the mass media (Náhuatl in Retorno a Aztlán and Purépecha in Eréndira la indomable). He presented his short documentary film Manuel Álvarez Bravo, Fotógrafo (1983) at the 11th FICM, which was nominated for an Ariel for Best Documentary at the 25th Ariel Awards Ceremony. He is currently in the production process of his documentary Tlalocan, la ciudad de los dioses. Otras Películas Naza En conversaciones secretas que tienen lugar de noche desde las azoteas de Tel Aviv, dan sus testimonios quienes diseñaron y operaron la matanza sistemática de civiles palestinos en Gaza por parte de Israel. Ver Más 5 de chocolate y 1 de fresa Esperanza es una joven novicia que vive en un tranquilo convento lleno de monjas mayores. Tras comer unas setas «especiales», la inocente Esperanza se convierte en la moderna y psicodélica Brenda: una chica subversiva que irrumpe en una fiesta de la alta sociedad, canta canciones subversivas y cautiva a los jóvenes. Ver Más Zumbido Durante una entrevista televisiva que se transmite en vivo a nivel nacional, Verónica, una actriz célebre y admirada, lucha por mantener la imagen de una vida perfecta mientras su mundo interior se resquebraja bajo el peso del abuso en privado. Atrapada entre el silencio, el miedo y un repentino ataque de pánico, debe decidir si continúa representando la ilusión o rompe el ciclo delante de todos. Ver Más Noticias Relacionadas No te pierdas la Muestra de Cine de los Pueblos Originarios y Afrodescendientes 2026 16 · 11 · 26 RATAS DE LA CIUDAD y el otro cine popular mexicano de los ochenta 12 · 11 · 26 La nostalgia de lo clásico 11 · 11 · 26 Entrevista con Adriana Domínguez, directora de ADOLFO DOMÍNGUEZ: EL ECO DE OTRAS VOCES 05 · 11 · 26 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Mora Catlett; Juan He received a master’s degree in film editing from the Film and TV School of the Academy of Performing Arts in Prague (FAMU), Czech Republic. He was a member of the National System of Creators of the National Council for Culture and the Arts (CONACULTA), Mexico, and won, among other awards, the National University Award (PUN, in Spanish) in the category of Teaching of the Arts in 2009 for his career in training filmmakers at the CUEC-UNAM film school. His work has participated in more than 40 film showings and festivals around the world, including two editions of the Morelia International Film Festival (FICM). His first feature film Retorno a Aztlán (In Necuepaliztli in Aztlan) (1990), the first Mexican film spoken totally in an indigenous language, won the Grand Jury Special Award at the 7th Latin American Film Festival of Trieste, Italy. He participated in the 4th FICM with his feature film Eréndira la indomable (2006), nominated for an Ariel for Best Special Effects at the 49th Ariel Awards Ceremony, Mexico, and won the Best Picture and Best Director awards at the 8th Indio International Hispanic Film Festival (iihfilmfest), California, and a Special Mention at the 10th South American Film Encounters, Marseille. In 2007 he received an award from the Secretary of Public Education (SEP), Mexico, on UNESCO’s International Mother Language Day, for the dissemination of indigenous languages in the mass media (Náhuatl in Retorno a Aztlán and Purépecha in Eréndira la indomable). He presented his short documentary film Manuel Álvarez Bravo, Fotógrafo (1983) at the 11th FICM, which was nominated for an Ariel for Best Documentary at the 25th Ariel Awards Ceremony. He is currently in the production process of his documentary Tlalocan, la ciudad de los dioses.
Naza En conversaciones secretas que tienen lugar de noche desde las azoteas de Tel Aviv, dan sus testimonios quienes diseñaron y operaron la matanza sistemática de civiles palestinos en Gaza por parte de Israel. Ver Más
5 de chocolate y 1 de fresa Esperanza es una joven novicia que vive en un tranquilo convento lleno de monjas mayores. Tras comer unas setas «especiales», la inocente Esperanza se convierte en la moderna y psicodélica Brenda: una chica subversiva que irrumpe en una fiesta de la alta sociedad, canta canciones subversivas y cautiva a los jóvenes. Ver Más
Zumbido Durante una entrevista televisiva que se transmite en vivo a nivel nacional, Verónica, una actriz célebre y admirada, lucha por mantener la imagen de una vida perfecta mientras su mundo interior se resquebraja bajo el peso del abuso en privado. Atrapada entre el silencio, el miedo y un repentino ataque de pánico, debe decidir si continúa representando la ilusión o rompe el ciclo delante de todos. Ver Más
No te pierdas la Muestra de Cine de los Pueblos Originarios y Afrodescendientes 2026 16 · 11 · 26 RATAS DE LA CIUDAD y el otro cine popular mexicano de los ochenta 12 · 11 · 26 La nostalgia de lo clásico 11 · 11 · 26 Entrevista con Adriana Domínguez, directora de ADOLFO DOMÍNGUEZ: EL ECO DE OTRAS VOCES 05 · 11 · 26