Image Villamil, Jessica She studied Journalism and Audiovisual production at the Faculty of Political and Social Sciences of the National Autonomous University of Mexico (UNAM), and Film Studies with a specialty in Cinematography and Directing at the University Center for Film Studies (CUEC-UNAM). Client (2012), her short fiction film, was part of the Official Selection of the 8th Acapulco International Film Festival, Mexico. She has been in charge of the photography of numerous short fiction and documentary films such as El aplastamiento de las gotas (2014),Cuéntale lo del gato (2016), Por un puñado de canicas (2014), winner of the Mexican Film Institute (IMCINE) Support for Production in 2012, and El sonido más fuerte (2012). She was also part of the second unit of photography for the feature film El sueño del Marakame, part of the Official Selection of the 14th Morelia International Film Festival (FICM); and of the documentary El caso Ayapaneco (2014). She has also occupied diverse positions in film productions, including Todo el mundo tiene a alguien menos yo (2013) (still photographer), Workers (2013) (boom), La tirisia (2014) (second director assistant), El Jeremías (2015) (assistant editor), Anadina (2015) (second director assistant), and Tamara y la Catarina (2016) (digital image technician). She is currently collaborating as photographer in the the documentaries Temporada de campo, a project supported by the Latin America Fund Grantees 2016 of the Tribeca Film Institute; and La herida invisible, selected for the 3rd edition of GenderLab/ Work in Progress of the 5th edition of the International Film Festival with Gender Perspective (MICGénero). Her short fiction film Transversales (2016) is part of the Official Selection of the 14th FICM. Other Movies Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More 5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More Related News ¡Conozcan los cortometrajes de ficción del 14º FICM! 09 · 21 · 16 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Villamil, Jessica She studied Journalism and Audiovisual production at the Faculty of Political and Social Sciences of the National Autonomous University of Mexico (UNAM), and Film Studies with a specialty in Cinematography and Directing at the University Center for Film Studies (CUEC-UNAM). Client (2012), her short fiction film, was part of the Official Selection of the 8th Acapulco International Film Festival, Mexico. She has been in charge of the photography of numerous short fiction and documentary films such as El aplastamiento de las gotas (2014),Cuéntale lo del gato (2016), Por un puñado de canicas (2014), winner of the Mexican Film Institute (IMCINE) Support for Production in 2012, and El sonido más fuerte (2012). She was also part of the second unit of photography for the feature film El sueño del Marakame, part of the Official Selection of the 14th Morelia International Film Festival (FICM); and of the documentary El caso Ayapaneco (2014). She has also occupied diverse positions in film productions, including Todo el mundo tiene a alguien menos yo (2013) (still photographer), Workers (2013) (boom), La tirisia (2014) (second director assistant), El Jeremías (2015) (assistant editor), Anadina (2015) (second director assistant), and Tamara y la Catarina (2016) (digital image technician). She is currently collaborating as photographer in the the documentaries Temporada de campo, a project supported by the Latin America Fund Grantees 2016 of the Tribeca Film Institute; and La herida invisible, selected for the 3rd edition of GenderLab/ Work in Progress of the 5th edition of the International Film Festival with Gender Perspective (MICGénero). Her short fiction film Transversales (2016) is part of the Official Selection of the 14th FICM.
Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More
5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More
The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More
