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Robles, Omar

He studied Visual Arts at the Image and Sound Department of the Guadalajara University in Mexico. In 2015, he received the Young Creators scholarship from the Mexican National Fund for Culture and Arts (Fondo Nacional para la Cultura y las Artes, FONCA) for the screenplay of the feature fiction film Las llamadas perdidas, and the scholarship from the State Council for Culture and Arts, Jalisco, for the production of the short film Los desterrados hijos de Eva. His short documentary film, co-directed with José Permar, Aurelia y Pedro (2016), part of the Official Selection of the 14th Morelia International Film Festival (FICM), received a Special Mention from the Jury at the 2016 Berlin International Film Festival (Berlinale), and it was recognized as Best Short Documentary Film at the Festival Internacional de Cine del Desierto (FICD), in Mexico, and at the Film School Screenings at the Latin American Film Festival in São Paulo, Brazil. Aurelia y Pedro (2016) was also selected at the Guanajuato International Film Festival (GIFF), Mexico, and at the Shorts Mexico international film festival, among others. He is a founding member of the independent film production company Tardígrada.

Other Movies

Naza

Naza
Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More

5 de chocolate y 1 de fresa

5 de chocolate y 1 de fresa
Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More

The Buzz

Zumbido
During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More

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