Image Borealis, Sarah She received a BA in literature and Latin American studies, a master’s degree in Latin American studies and a Ph.D in Latin American history from Tulane University, New Orleans, Louisiana, United States. Her academic research and publications include a photo visual anthology, Mexico: Stencil: Propa (2008), which documents the expression of political art (stencils) by anonymous street artists of Oaxaca and Mexico City, as well as the article “Santa Muerte Profile”, in 2012, of The World Religions & Spirituality Project (WRSP) by the Virginia Commonwealth University (VCU), United States. Her films have been shown at more than 10 screenings, festivals, museums and academic forums around the world. Her documentary short film, El día primero: Santa Muerte en el barrio de Tepito (2011), co-directed with Neyda Paredes, was shown at the 1st Ethnografilm Festival, Paris, and the Odgen Museum of Southern Art, New Orleans, Louisiana, in 2012, among others. Her documentary short film, Jeuh kieh a jm hm kahun / El sendero del caldo de piedra (2013), co-directed with Arturo Juárez Aguilar, is part of the Official Selection of the 12th Morelia International Film Festival (FICM). This work won the Best Short Film Screenplay Award at the 4th Bangalore Shorts Film Festival (BSFF), India, and has also participated in the 2nd Mpumalanga Short Film Festival (MSFF), South Africa; in the 26th Toulouse Latin American Film Festival, France; in the 17th Cine Las Americas International Film Festival, Austin, Texas; in the 8th Independent Hispanic American Film and Video Festival, “All Voices Against the Silence,” in Mexico City; and in the DocuLab.4 at the 27th Guadalajara International Film Festival (FICG), among others. Other Movies Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More 5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More Related News The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Borealis, Sarah She received a BA in literature and Latin American studies, a master’s degree in Latin American studies and a Ph.D in Latin American history from Tulane University, New Orleans, Louisiana, United States. Her academic research and publications include a photo visual anthology, Mexico: Stencil: Propa (2008), which documents the expression of political art (stencils) by anonymous street artists of Oaxaca and Mexico City, as well as the article “Santa Muerte Profile”, in 2012, of The World Religions & Spirituality Project (WRSP) by the Virginia Commonwealth University (VCU), United States. Her films have been shown at more than 10 screenings, festivals, museums and academic forums around the world. Her documentary short film, El día primero: Santa Muerte en el barrio de Tepito (2011), co-directed with Neyda Paredes, was shown at the 1st Ethnografilm Festival, Paris, and the Odgen Museum of Southern Art, New Orleans, Louisiana, in 2012, among others. Her documentary short film, Jeuh kieh a jm hm kahun / El sendero del caldo de piedra (2013), co-directed with Arturo Juárez Aguilar, is part of the Official Selection of the 12th Morelia International Film Festival (FICM). This work won the Best Short Film Screenplay Award at the 4th Bangalore Shorts Film Festival (BSFF), India, and has also participated in the 2nd Mpumalanga Short Film Festival (MSFF), South Africa; in the 26th Toulouse Latin American Film Festival, France; in the 17th Cine Las Americas International Film Festival, Austin, Texas; in the 8th Independent Hispanic American Film and Video Festival, “All Voices Against the Silence,” in Mexico City; and in the DocuLab.4 at the 27th Guadalajara International Film Festival (FICG), among others.
Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More
5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More
The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
