2026 | B/N | 130:43 In 1994, a faceless man became the most visible face of an indigenous uprising that surprised the world. Through the figure of Subcomandante Marcos, this documentary digs into the Zapatista fight, and the communities that, for over thirty years, have been building their own way of living and resisting in the mountains of Chiapas. Country: México Direction: Osorno; Diego Enrique Participation year at FICM: 2026
2026 | B/N | 130:43 In 1994, a faceless man became the most visible face of an indigenous uprising that surprised the world. Through the figure of Subcomandante Marcos, this documentary digs into the Zapatista fight, and the communities that, for over thirty years, have been building their own way of living and resisting in the mountains of Chiapas. Country: México Direction: Osorno; Diego Enrique Participation year at FICM: 2026
Midday Cowboy Samuel Noyola, the most inspired poet of his generation, disappeared leaving behind a series of traces of his obsessive lifestyle as an artist, guerrilla and tramp. The traces guide a search, both personal and frantic, for a mysterious character at the end of the twentieth century. See More
The Mayor Mauricio Fernández is the polemical mayor of San Pedro Garza García, the wealthiest and safest municipality in Latin America. He presents himself as an active leader who is capable of keeping his municipality "free" of the drug cartels' presence, without questioning the methods he uses to achieve this. The mayor describes the wild times of a country marked by violence and the complete discredit of the ruling class. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
