2003 | Color | 10 min A little boy wants to be a boxer, but years later ends up only as a janitor at the Arena Coliseum. One day, by a twist of fate he finds himself in the ring with his boxing hero. Country: México Direction: Covarrubias Díaz; Eduardo Script: Covarrubias Díaz; Eduardo Production: Márquez Alcadef; Cecilia, Márquez Alcadef; Kenia Photography: Saldívar Tanaka; Serguei Sound: Cobos; Luis Manuel Music: Grandmama; Grandmama Cast:César (fido); Julio, Gutiérrez Guerrero; Sergio, Corral Del Toro; Carlos, Pérez; Candelario Art direction: Aguilar; Luis Manuel "Mosco" Participation year at FICM: 2004
2003 | Color | 10 min A little boy wants to be a boxer, but years later ends up only as a janitor at the Arena Coliseum. One day, by a twist of fate he finds himself in the ring with his boxing hero. Country: México Direction: Covarrubias Díaz; Eduardo Script: Covarrubias Díaz; Eduardo Production: Márquez Alcadef; Cecilia, Márquez Alcadef; Kenia Photography: Saldívar Tanaka; Serguei Sound: Cobos; Luis Manuel Music: Grandmama; Grandmama Cast:César (fido); Julio, Gutiérrez Guerrero; Sergio, Corral Del Toro; Carlos, Pérez; Candelario Art direction: Aguilar; Luis Manuel "Mosco" Participation year at FICM: 2004
Underground Nico and Trinidad reach the United States through a drainage ditch; Harry is waiting at the other side, under the cover of the desert night, to apply the law. See More
Under The Ground Nico and Trinidad reach the United States through a drainage ditch; Harry is waiting at the other side, under the cover of the desert night, to apply the law. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
