2012 | Color | 100 min 0 seg The film portrays the last years of the life of José María Morelos y Pavón (1812-1815), leader of the Mexican Independence, concerned with the creation of Mexican institutions and a disciplined army capable of coping with the Royalist troops. Country: México Direction: Serrano; Antonio Script: Mendoza; Leo, Serrano; Antonio Production: García; Lourdes, Urquiza; Luis Photography: Saldívar; Serguei Sound: Molina; Miguel Ángel, Diego; Antonio Music: Giacomán; Alejandro Cast:Méndez; Raúl, María Yazpik; José, Ignacio Aranda; Juan, Sánchez Parra; Gustavo, Gama; Dagoberto, Sigman; Stephanie Art direction: Bonelli; Roberto Participation year at FICM: 2012
2012 | Color | 100 min 0 seg The film portrays the last years of the life of José María Morelos y Pavón (1812-1815), leader of the Mexican Independence, concerned with the creation of Mexican institutions and a disciplined army capable of coping with the Royalist troops. Country: México Direction: Serrano; Antonio Script: Mendoza; Leo, Serrano; Antonio Production: García; Lourdes, Urquiza; Luis Photography: Saldívar; Serguei Sound: Molina; Miguel Ángel, Diego; Antonio Music: Giacomán; Alejandro Cast:Méndez; Raúl, María Yazpik; José, Ignacio Aranda; Juan, Sánchez Parra; Gustavo, Gama; Dagoberto, Sigman; Stephanie Art direction: Bonelli; Roberto Participation year at FICM: 2012
Cero y van cuatro / Vida exprés A group of thugs kidnap Teresa, an obese woman who owns an ad agency. When her spendthrift husband Jorge finds out, his world comes crashing down as he faces the difficulties of coming up with the $200,000 USD ransom See More
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24 Tarantino in Morelia 2009 03 · 27 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
