2012 | Color | 80 min Alberto suffers from a terrible affliction; his body decomposes inexplicably. Struggling with feelings of loneliness and shame, he decides to withdraw from the world. But before surrendering to his condition, Alberto forms an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard. Country: México Direction: Hofmann; Sebastián Script: Chavezmontes; Julio, Hofmann; Sebastián Production: Chavezmontes; Julio, Romandía; Jaime Photography: Penachino; Matías Sound: Locatelli; Raúl Music: Rabelais; Akira Cast:Albores; Hugo, Trueba; Lourdes, Trujillo; Alberto Art direction: Garciandía; Gabriela Participation year at FICM: 2012
2012 | Color | 80 min Alberto suffers from a terrible affliction; his body decomposes inexplicably. Struggling with feelings of loneliness and shame, he decides to withdraw from the world. But before surrendering to his condition, Alberto forms an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard. Country: México Direction: Hofmann; Sebastián Script: Chavezmontes; Julio, Hofmann; Sebastián Production: Chavezmontes; Julio, Romandía; Jaime Photography: Penachino; Matías Sound: Locatelli; Raúl Music: Rabelais; Akira Cast:Albores; Hugo, Trueba; Lourdes, Trujillo; Alberto Art direction: Garciandía; Gabriela Participation year at FICM: 2012
Ismael Ismael and his little sister wake up to watch a children´s show on television, like they do every Sunday. It is their only escape from the neglect and abuse that surround them. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
