2002 | Color | 9 Alberto resorts to disturbing and extravagant means to break through the shell of his loneliness and fulfill his desires. Country: México Direction: Aguirre; Salvador, Lubezki; Alejandro Script: Lubezki; Alejandro Production: Rade; Grazia Photography: AMC, Lubezki; Emmanuel Sound: Moreno; David, Mejía; Pedro, Moreno; Andrés Music: Bellini; Vincenzo Cast:Brickman; Ari, Perzabal; Fabiana, Echevarría; Emilio, Lubezki; Muni Art direction: Chirinos; Mónica
2002 | Color | 9 Alberto resorts to disturbing and extravagant means to break through the shell of his loneliness and fulfill his desires. Country: México Direction: Aguirre; Salvador, Lubezki; Alejandro Script: Lubezki; Alejandro Production: Rade; Grazia Photography: AMC, Lubezki; Emmanuel Sound: Moreno; David, Mejía; Pedro, Moreno; Andrés Music: Bellini; Vincenzo Cast:Brickman; Ari, Perzabal; Fabiana, Echevarría; Emilio, Lubezki; Muni Art direction: Chirinos; Mónica
Inside Oneself An indigenous boy named Juan faces what, to him, is a terrible monster. His fear grows constantly. Seeing this, his grandmother Mariana believes she has a cure... See More
To and Fro To and Fro. After working for 3 years in the USA, Filiberto, a proud peasant, returns to his home town in Mexico in search of the recognition that will give him a new position in life. His mother is now dead and Luis, his best friend, is married to his ex -girlfriend Soledad. Filiberto gets involved in the town´s disputes over a water spring. He helps Luis flee from the hacienda guards and takes him to Mexico city. Their ideals and values are confronted and they clash; their paths separate forever. See More
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24 Tarantino in Morelia 2009 03 · 27 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
