1960 | B/N | 96:00 Gloria and Pablo Morales’ marriage is a living hell. She torments her husband with her jealousy, complaints, and a puritanism so extreme it borders on obsession. Gloria doesn’t want to separate and the situation has become unbearable. One day, Pablo tells his friends that Gloria has gone to Guadalajara to visit an aunt. However, in his taxidermist laboratory, Pablo keeps a skeleton, which he treats as if it were his wife. Country: México Direction: González; Rogelio A. Script: Machen; Arthur, Alcoriza; Luis Production: Kogan; Sergio Photography: Herrera; Víctor Sound: Fernández; Luis, Samperio; Galdino Music: Lavista; Raúl Cast:Rivelles; Amparo, Peralta; Elda, Orea; Guillermo, Aragón; Luis, Pascual; Mercedes, Fernández; Angelines, Arriola; Armando, Alvarado; Manuel, Meyer; Roberto, Bravo; Antonio, de Córdova; Arturo, Mondragón; Jorge, Villegas; Paz, Monteros; Rosenda Art direction: Fitzgerald; Edward Participation year at FICM: 2015
1960 | B/N | 96:00 Gloria and Pablo Morales’ marriage is a living hell. She torments her husband with her jealousy, complaints, and a puritanism so extreme it borders on obsession. Gloria doesn’t want to separate and the situation has become unbearable. One day, Pablo tells his friends that Gloria has gone to Guadalajara to visit an aunt. However, in his taxidermist laboratory, Pablo keeps a skeleton, which he treats as if it were his wife. Country: México Direction: González; Rogelio A. Script: Machen; Arthur, Alcoriza; Luis Production: Kogan; Sergio Photography: Herrera; Víctor Sound: Fernández; Luis, Samperio; Galdino Music: Lavista; Raúl Cast:Rivelles; Amparo, Peralta; Elda, Orea; Guillermo, Aragón; Luis, Pascual; Mercedes, Fernández; Angelines, Arriola; Armando, Alvarado; Manuel, Meyer; Roberto, Bravo; Antonio, de Córdova; Arturo, Mondragón; Jorge, Villegas; Paz, Monteros; Rosenda Art direction: Fitzgerald; Edward Participation year at FICM: 2015
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24 Tarantino in Morelia 2009 03 · 27 · 24 If Juárez had not died… 03 · 21 · 24 EL HALCÓN, a tribute to wrestling films: Interview with Eduardo Valenzuela 03 · 15 · 24
