2014 | Color | 88:22 Susana Le Marchand, a housewife ignored by her wealthy husband, is looking for a new maid. Her former gardener gives Susana a gift from his wife, Hilda. Flattered by the gesture, Susana decides to hire Hilda. One day, Hilda finds some Marxist books. Susana takes them and reconnects with her leftist past. She questions the frivolity of her life and, with Hilda, decides to make a change. Country: México Direction: Clariond Rangel; Andrés Script: Clariond Rangel; Andrés Production: Célis; Nicolás Photography: Ortega; Héctor Sound: Núñez; Santiago, Díaz; Sergio Music: Monfort; Rodrigo Cast:Langer; Verónica Art direction: Robledo; Hania Participation year at FICM: 2014
2014 | Color | 88:22 Susana Le Marchand, a housewife ignored by her wealthy husband, is looking for a new maid. Her former gardener gives Susana a gift from his wife, Hilda. Flattered by the gesture, Susana decides to hire Hilda. One day, Hilda finds some Marxist books. Susana takes them and reconnects with her leftist past. She questions the frivolity of her life and, with Hilda, decides to make a change. Country: México Direction: Clariond Rangel; Andrés Script: Clariond Rangel; Andrés Production: Célis; Nicolás Photography: Ortega; Héctor Sound: Núñez; Santiago, Díaz; Sergio Music: Monfort; Rodrigo Cast:Langer; Verónica Art direction: Robledo; Hania Participation year at FICM: 2014
Close Quarters Manuel and Lupe want to have a baby. When Manuel discovers he is infertile, he starts to fall apart both physically and emotionally. After exploring several options, Manuel turns to Rubén, his new friend, to act as their donor. In return, Rubén asks to stay for a few days at Manuel and Lupe’s, promising to leave soon for the States. His presence will change everything, and Manuel’s dream of being a father will end in his own exile. See More
Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24 Tarantino in Morelia 2009 03 · 27 · 24 If Juárez had not died… 03 · 21 · 24 EL HALCÓN, a tribute to wrestling films: Interview with Eduardo Valenzuela 03 · 15 · 24
