2009 | Color | 1h 15 min Before their inevitable separation, a young man of Maya roots and his son Natan, who is half Italian, embark on an ancestral journey into the open sea. Country: México Direction: González-Rubio; Pedro Script: González-Rubio; Pedro Production: González-Rubio; Pedro, Romandía; Jaime Photography: González-Rubio; Pedro Sound: Carranza; Manuel, Romero; Rodolfo Music: Bellinure; Diego, Esquenazi; Uriel Cast:Machado; Jorge, Palombini; Roberta, Machado Palombini; Natan, Marín; Néstor “matraca” Art direction: González-Rubio; Pedro Participation year at FICM: 2009
2009 | Color | 1h 15 min Before their inevitable separation, a young man of Maya roots and his son Natan, who is half Italian, embark on an ancestral journey into the open sea. Country: México Direction: González-Rubio; Pedro Script: González-Rubio; Pedro Production: González-Rubio; Pedro, Romandía; Jaime Photography: González-Rubio; Pedro Sound: Carranza; Manuel, Romero; Rodolfo Music: Bellinure; Diego, Esquenazi; Uriel Cast:Machado; Jorge, Palombini; Roberta, Machado Palombini; Natan, Marín; Néstor “matraca” Art direction: González-Rubio; Pedro Participation year at FICM: 2009
Inori In the small mountain community of Kannogawa, Japan, the laws of nature reshape the human blueprint of what used to be a lively town. While the younger generations have gone to the citites, the few people left perform the everyday activities with a brave perspective on their history and the cycles of life. See More
Black Bull Black Bull This is the story of Fernando Pacheco, a bullfighter from the Mayan region in Mexico´s southeast. He is a charming and enthusiastic youngster, but he has also alcoholic, self-destructive and impulsive tendencies. His life exemplifies the passions and human conflicts of today´s remote Mayan communities. See More
Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24 Tarantino in Morelia 2009 03 · 27 · 24 If Juárez had not died… 03 · 21 · 24 EL HALCÓN, a tribute to wrestling films: Interview with Eduardo Valenzuela 03 · 15 · 24
